|
An Uncommon Accord
Poems by George Kraus, Marcia Arrieta, Pat Landreth Keller, and Michael Carman
|
Four accomplished poets, with four distinct voices, come together to
create An Uncommon Accord.
REVIEWERS' COMMENTS
The four splendid and drastically individuated poets included in An
Uncommon Accord manage, paradoxically enough, to create a harmony and a
conversation among one another worthy of the great string quartets. The
tensions between them are not violent but musical. They energize and
transform the unique experience of each poem and poet; they give a
permanent glow to the beautiful local civilization that is this
book.
Vijay Seshadri
Michael Carman is a poet of impeccable eye and ear; the diamond-cutter line,
the pulse-quickening cadence. I admire this collection's commanding techniquehow the adjective "lace-up"
repeated over a stanza break ratchets up tension, and in a breath conveys the contingency of immigration . . .
These meticulously honed poems are informed by an integrating, visionary humanity.
Dennis Nurkse
In GEORGE KRAUS's poems we find ourselves in the realm of creation and
destruction seemingly at once. It is on this fine line that Kraus so deftly balances.
MARCIA ARRIETA's work is all about serious play. A yearning
for larger, more formalized bodies of knowledge is met by the drive to notice, to see fully on an intimate,
human scale.
In Draglines, each of PAT LANDRETH KELLER's poems
function as a "dragline," working to pull meaning from the past. Her signature "story-made-myth" combines key
elements of any good tale: desire and trespass.
. . . that line between one environment and another, is a place of
richness for MICHAEL CARMAN. Studies of generations allow for deeper explorations of this state where
opposites . . . live in a kind of earthly harmony.
One of the great pleasures of An Uncommon Accord is the way
in which distinctly different aesthetics engage in conversation about essential issues . . . without constraints of
subject or approach, poems do and will speak across time and temperament.
Lia Purpura, from the Foreword
MEET THE AN UNCOMMON ACCORD AUTHORS
Marcia Arrieta is a high school English teacher and
editor/publisher of the poetry journal, Indefinite Space. Her work has appeared in many journals
including Otoliths, 13th Moon, Osiris, Blueprint Review, and her chapbook,
experimental:, was published by Potes and Poets Press. She has an MFA from Vermont College. Arrieta lives
on the canyon in Pasadena, CA and often escapes into philosophy, nature, music and art.
Read Marcia Arrieta's poetry.
Michael Carman's poems and have appeared in Rattapallax,
The Same, Lumina, en(compass), and other journals. She was a finalist for the 2007 Codhill
Press Poetry Chapbook Award. She holds a BA from Columbia University and an MFA from Sarah Lawrence College. Carman
has taught poetry at Sing Sing Prison and in programs sponsored by Poets & Writers in New York City. She teaches
writing at FIT/SUNY in Manhattan.
Read Michael Carman's poetry.
Pat Landreth Keller is a freelance writer of nonfiction and
poetry who lives in Middle Georgia. She has received a Georgia Council for the Arts Individual Artist Award in
poetry, and has published in a number of magazines. She is completing a novel and writing a pictorial and social
history of Middle Georgia folk pottery. She also works with museums, educational institutions, and individuals
in preserving and promoting the material culture of the South.
Read Pat Landreth Keller's poetry.
George Kraus holds a PhD in Hispanic and Luso-Brazilian Literatures and Languages from the
Graduate Center, City University of New York. He has worked as translator and scholar. His most recent scholarly
work was presented at an annual meeting of the Renaissance Society of America. Kraus currently divides his time
between Rio de Janeiro and Tarrytown, NY where he continues to write poetry and prose.
Read George Kraus's poetry.
For review copies and/or to schedule readings, contact [email protected].
back to top |